MASOLINO DA PANICALE

(Maso di Cristofano Fini; active c. 1423-1447)

Masolino has been overshadowed byMasacciowith whom he often collaborated. Studies on his art unfortunately have centered mainly on identifying his intervention in these commissions he shared. One of his early works is theMiracle of the Snow(c. 1423; Naples, Museo Nazionale di Capodimonte), part of theSanta Maria MaggioreTriptychcommissioned by PopeMartin Vfor the Church inRomebearing the same appellation.In c. 1425, Masolino worked with Masaccio on thefrescoesof theBrancacci Chapelat Santa Maria del Carmine,Florence, commissioned by Felice Brancacci. Among the scenes he contributed are theHealing of the Lame Man and the Raising of Tabithaand theTemptation. The scenes on thevaultandlunettes, destroyed in the 18th century, are also thought to have been by his hand. In c. 1428-1430, Masolino was again in Rome painting frescoes from the life ofSt.Catherine of Alexandriain the Castiglione Chapel at San Clemente for Cardinal Branda Castiglione. This commission is one of the best examples of the period of propagandist chapel decoration. Masolino's works show that he adopted techniques he learned while working alongside Masaccio, includingone-point linear perspective, a single source of light, and cast shadows that enhance the three-dimensionality of forms. Masolino's art is distinguished from Masaccio's, however, in that his figures are more elegant and slender, yet lack the visual impact and emotive power of those rendered by his fellow master.