Dictionary of Renaissance art

EQUESTRIAN MONUMENT OF GATTAMELATA, PIAZZA DEL SANTO, PADUA

(c. 1445-1453)
This work was commissioned fromDonatelloby theVenetianSenate to honor thecondottiereErasmo da Narni, known as Gattamelata, who served as chief commander of the Venetian army and left funds in his will for his own monument. Donatello based his work on the ancient equestrian statue ofMarcus Aurelius(Rome, Capitoline Museum), then thought to represent Constantine the Great. He also was inspired byPaolo Uccello'sSirJohn Hawkwoodon Horseback(1436) in theCathedral of Florence. Gattamelata is shown as a forceful commander, stressed by the ferocious Victory figure on his breastplate. The tension on the man's jaw and neck muscles, his piercing gaze, and lines on his fore-head grant him an aura of authority. The noble nature of the animal serves to enhance Gattamelata's heroism. Donatello was as comfortable rendering the anatomy of the man as that of the horse. The animal's well-defined tendons and muscles, its flaring nostrils, and opened mouth are the details that denote Donatello's mastery.