Dictionary of Renaissance art

CHIOSTRO VERDE, SANTA MARIA NOVELLA, FLORENCE

(Green Cloister)
TheChiostro Verdeowes its name to thefrescoespainted on its walls byPaolo Uccelloand assistants in a green monochrome palette withterra verde(green earth), a pigment with a high iron-oxide content. Begun in 1430, these works depict scenes from the Book of Genesis and were heavily damaged in 1966 when a major flood occurred inFlorence. The frescoes are arranged in two tiers and cover the patriarchal ages of Noah, Abraham, and Isaac, emphasizing the themes of ancestry and inheritance. From among the scenes,TheDeluge(c. 1450) stands out as a masterful study inperspectiveandforeshortening. Here, Noah's ark is shown from two angles. On the left is a heavy storm with lightning and wind-god included and victims who desperately try to stay afloat. On the right emerges Noah from the ark to see the dove return with the olive branch taken from dry land. The scene unfolds in a space that recedes rapidly in the distance. It conflates the fury of nature with the desperation of humans faced with a horrid ordeal. Uccello'sSacrifice of Noah and Drunkenness of Noah(c. 1450) also demonstrate his command of perspective. Here, God the Father is foreshortened so effectively as to appear to be floating above the other figures, and the pergola that supports the vines recedes convincingly into space.